Overtheline erbjuder avancerad 3D-filmproduktion för företag och produktionsbolag i hela Sverige och Skandinavien. Tjänsterna inkluderar 3D produktvisualisering, modern produktfilmer, animerad reklamfilm, reklamfilm med animationer, explainer videos, animated explainer videos, presentationsfilmer, företagsfilm och industrifilm.
För företag som vill ligga i framkant med sin kommunikation är en Reklamfilm 2025 ett effektivt sätt att nå målgruppen. Oavsett om det gäller reklamfilm Malmö eller projekt i Stockholm och Göteborg skapar Overtheline visuellt kraftfulla filmer som engagerar och stärker varumärket.
Alla produktioner använder den senaste tekniken för 3D-animation och visualisering, men skapas alltid med mänsklig kreativitet, inga AI-genererade videor. Detta säkerställer att varje film är unik och skräddarsydd efter kundens behov.
Overtheline hjälper både företag och andra produktionsbolag från koncept till färdig film. Oavsett om det gäller animerad reklamfilm, produktvisualiseringar, content-produktion, explainer videos, eller presentationsfilmer, levererar Overtheline högkvalitativa projekt som gör skillnad.
För den som vill veta mer om Företagsfilm pris eller Animerad film pris, erbjuder Overtheline transparent information och skräddarsydda lösningar som passar varje budget och behov.
Kontakta [email protected] idag för att ta ert företag eller produktion till nästa nivå med professionell 3D-filmproduktion.
Smidigt, bra resultat och till ett rimligt pris. Slutprodukten blev jättebra och vi kommer att jobba med Christoffer igen.
Christoffer is really easy to work with and does a great job! I can always trust that he delivers on time and he is very passionate about his job! I truly recommend him!
Chris was awesome. I had him make a custom animation for me. I had 3 people before him attempt to do it but they were not to my standards. Chris was very easy to communicate with and did GREAT work. Highly recommend.
Detta projekt, M·A·C Gift of Gold 2024, var ett stort uppdrag under min tid på Copenhagen Visual. Jag arbetade främst med stadsmiljöer och produktvisualisering. Hela historien finns här i bloggen.
In May I got the chance to work on this project.
I had a minor support role in creating materials building the stage and modeling the trees for the stage. Huge thanks to Fredrik Swerin for the opportunity, Fredrik and the team he put together did a fantastic job.
During my time at Edisen (Former Chimney), I was on sight during the video-taping working with Manuel Concha (Suedi) later back at the office I did the VFX compositing of the cars, the fireworks were real in the first shot then I created VFX fireworks in the close-up angle and I did the animations at the end.
Fun fact! : I´m hiding behind the backdrop screen at the beginning moving a ladder for the guy falling down, in the other videos. 🙂
This was during my time at Österlin Communications.
The editing and motion graphics of the video were made by the talented Erik Roth, I just came in at the end and did the end 3D part and comp for that last part. My main focus was the machine camera animation and comp so the paper animations are made by Yaz Naderi. Maximum team effort on this one.
During my time at Bästa Kompisar, I managed to create the graphical elements for this video. 3D modeling, tracking, and motion graphics animation.
Got a Rubik´s cube as a Christmas present, that got me thinking of how would I animate this in Cinema 4D and how would I rigg it?
Under december gjorde jag en personlig utmaning att skapa ett konstverk per dag fram till min födelsedag. Så från och med 1 december till och med 21 december släppte jag ett konstverk per dag. Här är alla samlade. En regel: de måste alla skapas under en dag.
Under min tid med Copenhagen Visual modellerade jag fläkten till den här reklamfilmen.
This is not an existing product from what I know but it´s little a follow-up of my Infinity Cola.
This is a concept video for Wilfa Coffee Maker.
Everything is done in Maya (modeling, animation, shader, fluid sim).
Except for the smoke, I made that In Blender.
During my time at Hide the Zebra, I worked on the multiple packshots for this video series. Did comp and Motion graphics on the end parts. (some not all)
This is the #03 artwork of the 204R20 Challenge. Make 1 artwork piece per day for 20 days. There's not much to say here, inspired by the thousands of previous gaming ads. I can say, one interesting part of this purely technically is that it's 65% procedural. Some parts of the controller are set, but others are generators. There´s also a video/animation under the link, have a great weekend.
En konceptvideo för parfymen 1 Million av Paco Rabanne
Saw a video a while ago and thought, how the hell did he do that? So I just had to come up with my own way to create a similar piece.
Hope you´ll enjoy it.
The inspiration behind this was: Truls Berlin´s beer video.
you can find his portfolio here: einberliner.se
Detta gjordes under min tid på Österlin Communication och står som mitt första projekt som huvudkonstnär på Österlin. Från att hantera briefen till att skapa videorna och leverera dem. Jag är tacksam för möjligheten och hade jättekul när jag gjorde dessa.
Even if I technically created the video I have to give a huge credit to Sören from SVFX for taking the Art Director/Producer role in this production.
Maximum team effort and I´m really happy for being a part of this production.
My Client: Svfx
End Client : Siwertell
Year: 2017
Under min tid på Chimney gjorde jag kompositionen till videorna för en Prisjakt-kampanj 2015.
Ungefär ett år senare blev jag tillkallad av Bästa Kompisar för att göra några justeringar på deras video ovan.
Min kund: Bästa kompisar
Slutkund: Prisjakt
År: 2016
This video is a mock-up and a concept of a commercial for new power tools.
From time to time I get asked to make this kind of video for various clients but I´ve never done quite this extensive work for myself.
It´s always shorter faster productions, just to try out a technique or a concept.
So this was a long one. Started a little before Christmas 2022 with a loose idea of what to do, and then finished beginning of February. But this is just as important, more project management, time management, and dedication, and a script…. I really wish I had a script.
Sometimes when doing a personal project we tend to forget the pipeline of larger projects. We just do, this is not vital in a larger production it invites re-makes and painful adjustments.
So I took a step back, thought about how would I do if this was to a client and then I went ahead building up the same things I would do for a client.
During my time at Bästa Kompisar, I helped out on this commercial adding some chicken a the end shot.
This was the very first production I worked on when I joined Österlin Communications.
The intro scene was mine (up until the robot gets to the factory), except for the cow. That I believe was animated by Marcus Christensen. This was a full team effort production with all hands on deck, other things was I helped out with the factory model. The video was composed by Daniel Hedenborg, and much of the factory animation was made by Yaz Naderi.
Under min tid på Copenhagen Visual hjälpte jag till med den här vackra videon för Endori.
Jag skapade bakgrundselement som statyer, en klocka, knappen och delvis fläkten. Men det här var 100 % laginsats. Många begåvade människor och jag är glad att ha varit en del av det.
Even though I have the great honor to work with some truly amazing clients, sometimes it´s just fun to do this kind of Ghost project. Where there´s no client you can throw out the rule book and just have some fun with imperfections or other things that you might want to add in some projects but there is of course some logic too why you can´t add that otherwise.
Hope you enjoy the images, I enjoy making them.
Got the challenge to update and replace the packshot for this commercial.
My Client : Chimney
End Client : Nozoil
Year: 2014
A beautiful kitchen visualization with a dining area. Some parts are modeled and others are bought. The main focus was to build a larger scene and material management
